EL TRACK...

+ARCHIVOS ADJUNTOS
Track: THE MASTERPLAN
Artista: OASIS
Albúm: THE MASTERPLAN
Año: 1998
Sello: SONY MUSIC
¿Albúm de "lados b"?
Es un albúm realmente completo que con facilidad supera a alguno que haya hecho la banda en la última decada.
Y la canción, no se diga, se lleva hasta al árbol mejor plantado.
Why we're all part of the masterplan?
Es la pregunta que lanzan los Gallagher, en esta cación que grabaron como "lado b" del sencillo "Wonderwall".
¿Coldplay? ¿Keane?... El brit pop no fue creado para niñas, tiene fundamento y esta canción demuestra y tiene bases sonoras para comprobar por que Oasis era el estándarte de ese género en los 90's. Cuando los Gallagher eran "engreidos" y "gandallines" pero con actitud para hacer música, que, lo siguen siendo y la siguen teniendo, pero más para meterse en lios que para hacer música.
Escuchese con atención y no olviden sus pañuelos desechables.

EL ALBUM...

+ARCHIVOS ADJUNTOS
Artista: OMAR RODRIGUEZ LOPEZ QUINTET
Albúm: THE APOCALYPSE INSIDE OF AN ORANGE
Año: 2008
Sello: INFRASONIC SOUND
¿De qué manera explicar la complejidad con la que nos envuelve la música del lider y guitarrista de una de las bandas más representativas del ¿Punk, Progresivo, Free Jazz, Psicodelico, Alternativo, Salsa...?. Con el simple hecho de querer encasillar en un género la música que escribe, toca y al mismo tiempo produce, provoca cierta confusión.
¿De qué manera tener una opinión subjetiva y sincera acerca de la magnitud con la que manipula desde el pedal de efectos pasando por el cable conectado al amplificador y la estridencia de su "GIBSON SG"?
¿De qué forma entregar una reseña de unos de los mejores discos instrumentales del ¿Punk, Progresivo...? (Para crear menos confusión en adelante utilizaremos la palabra "género") que se hayan editado durante esta decada?
Es verdad, ya lleva varias colaboraciones y varios otros discos como solista ,IMPECABLES, pero... ¿Cómo mantenerse después de pasar años en este "negocio" sin caer en monotonías y depeciones?
Nadie, dentro del ahora "negocio" musical, tenga las respuestas y menos este humilde "fan".
La única certeza dentro de este su ¿cuarto, quinto, sexto? albúm solista, en particular, es el hecho de que cada vez a pesar de que se utilicen los mismos sampleos, las mismas secuencias y fondos, a parte de los mismos (virtusos también) músicos invitados, mismos recursos empleados tanto en discos en solitario y en The Mars Volta, es que en esta entrega en cada track existe algo nuevo, un sonido peculiar, algo envolvente que no te permite oprimir un solo botón, algo que te mantiene pegado al reproductor de discos (o iPod, según sea el caso).
Es decir, sin más vueltas, es un albúm que provoca, que cada sónido que emite crea emociones impredecibles, por momentos tanto vurtuosismo y "pachequez" nos remiten a aquellos viejos discos de Santana y Hendrix... Pero solo es un epejismo repentino, Omar tiene lo suyo, y no deja duda, impone y no regala un solo espacio. Sobresalen, claro todas son evidentes muestras de colapso musical y marcan nuevos riff y acordes, pero en este caso "Jacob Van Lennepkade II" con su duración de 18:30 minutos y una guitarra que no deja de quejarse acompañada de una estampida emitida por la bateria y el bajo más rápido del "desierto pacheco" presentado en portada, y "Fuerza de Liberacion" con recursos en la voz mecanizados desde el infierno... ¿EMO? ¿Quieren emotividad? ¿Buscan EMOción? ¿Quieren que una canción los enfrente a su depresiva realidad sin necesidad de una voz "chillante" y "cursi"?, en el ultimo track titulado "Coma Pony" se sumergiran en una atmósfera ritmica que simplemente provoca el llanto, sin más, no es el mejor track, la rápidez de los solos a los que estamos acostumbrados se encuentra en los 7 anteriores, pero "Coma Pony" simplemente deprime, entristece, ¡CUIDADO: No te sumerjas en el alcohol un viernes de soledad e intentes escuchar este track, por que alguien podría salir herido!.
¿De qué manera darle respuesta a los cuestinamientos planteados al inicio?
Solo existe una respuesta: "Con Complejidady Actitud". Desde la portada ya crea ese ambiente de incertidumbre y confusión al no saber de que diablos tratará en objeto de plastico.
Si algo distingue a Omar Rodriguez y su música es el nivel de complejidad que le impregna y que en cada albúm, al igual que los grandes músicos, y como debe de ser, se olvida de repetir fórmulas.
Tan complejo que ya quiero ver si los que presumen de gustarles The Mars Volta, digieren este disco, o por lo menos, un solo track.
NO APTO PARA INICIADOS O MEJOR DICHO, PARA POUSERS...

MAKE YOURSELF (YOUR ONW RAINBOW)

PEARL JAM ANNOUNCES THE REISSUE OF BAND’S DEBUT ALBUM, TEN


PEARL JAM ANNOUNCES THE REISSUE OF BAND’S DEBUT ALBUM, TEN:FOUR SPECIAL EDITION PACKAGES IN STORES MARCH 24, 2009TEN CLUB PRE-SALE OF SUPER DELUXE BOX SET BEGINS NOW

Album extras include:

Remaster of original Ten album + remix by producer Brendan O’Brien •DVD of previously unreleased 1992 Pearl Jam MTV Unplugged performance with 5.1 surround sound audio remix • LP of the band’s 1992 “Drop in the Park” concert • Replica of Pearl Jam three-song demo cassette with Eddie Vedder’s original vocal dubs • Recreation of Eddie Vedder composition notebook • Never before seen memorabilia • Bonus tracks and more.

Ten, the debut album that sold 12 million copies and introduced the world to Pearl Jam in 1991, will be reissued in four (4) new and expanded editions. Pre-orders of the Super Deluxe Edition begin today, through the Ten Club at PearlJam.com. All four editions will be available for purchase on March 24, 2009. The reissue of Ten serves as the launch of a planned two-year catalogue re-release campaign leading up to the band’s 20th anniversary in 2011.

Each Ten package will include two versions of the album: the remastered version of the original album PLUS an accompanying remixed version done by the band’s long-time producer, Brendan O’Brien (Bruce Springsteen, AC/DC, Audioslave). Details on specific extras for each of the four packages are listed below.

“The band loved the original mix of Ten, but were also interested in what it would sound like if I were to deconstruct and remix it,” says producer Brendan O’Brien. “The original Ten sound is what millions of people bought, dug and loved, so I was initially hesitant to mess around with that. After years of persistent nudging from the band, I was able to wrap my head around the idea of offering it as a companion piece to the original – giving a fresh take on it, a more direct sound.”

TEN RE-DESIGN

Pearl Jam bassist Jeff Ament, who served as the art director for the original Ten packaging, reprised his role for the reissues collaborating with designer, Andy Fischer, of Cameron Crowe’s Vinyl Films (Into the Wild soundtrack LP, Vanilla Sky soundtrack LP, Harold and Maude anniversary edition soundtrack LP).

"The goal was to assemble the ultimate fan-piece,” explains Fischer. “Something Pearl Jam lovers could pore over as they experience an indelible record all over again, in an entirely new way."

“The original concept was about really being together as a group and entering into the world of music as a true band...a sort of all-for-one deal,” says Jeff Ament. “There were some elements of the original Ten artwork that didn't turn out the way we had hoped, due to time constraints. With this reissue, we’ve been able to take our time and invest resources into making the design the way we had originally intended.”

REPLICA OF PEARL JAM 3-SONG DEMO CASSETTE IN SUPER DELUXE EDITION

In the process of digging through his archives for this project, Ament came across an old cassette marked “Momma-Son” – the fabled original Pearl Jam demo tape featuring the first recorded versions of “Alive,” “Once” and “Footsteps.” Ament and guitarists Stone Gossard and Mike McCready had recorded instrumental tracks of these songs to help solicit a singer for their newly formed band. Mutual friend - and then Red Hot Chili Peppers drummer - Jack Irons suggested they send the tape down to San Diego surfer and little-known singer Eddie Vedder.

Completely inspired by what he heard from these musicians that he then only knew by name, Vedder quickly wrote lyrics, put these vocals to the music tracks and shipped the tape back to Seattle. Upon hearing how Vedder had transformed the songs, Ament, Gossard and McCready asked him to come up to Seattle so they could meet and have an official “tryout” together. Shortly thereafter, Pearl Jam was born. (A replica of the “Momma-Son” cassette will be included in the Super Deluxe Edition of Ten.)

Jeff Ament describes the experience of re-visiting that tape with singer Eddie Vedder:“I think the first time that Ed or I had opened any of those boxes was a few weeks ago. I knew that the original ‘Momma-Son’ cassette was somewhere, but I hadn’t listened to it in 17, 18, 19 years. It was cool to sit down and play it for the first time with Ed and see his reaction. And to find that 90% of it stayed exactly the same as what ended up on the record. A lot of elements were identical. There was some energy flying around at that point even from 1,300 miles away from Seattle to San Diego.”

THE FOUR EDITIONS OF TEN: ALBUM EXTRAS PER PACKAGE

1. Legacy Edition (2-disc set in mini-LP style slipcase):
· Disc 1: original Ten tracklisting digitally remastered (original mix)
· Disc 2: original Ten tracklisting digitally remastered and remixed by Brendan O’Brien, plus six bonus tracks: “Brother,” “Just a Girl,” “State of Love and Trust,” “Breath and a Scream,” “2,000 Mile Blues” and “Evil Little Goat”
· Re-designed packaging

2. Deluxe Edition (2-disc set plus DVD specially designed hardbound package):
· Disc 1: original Ten tracklisting digitally remastered (original mix)
· Disc 2: original Ten tracklisting digitally remastered and remixed by Brendan O’Brien, plus six bonus tracks: “Brother,” “Just a Girl,” “State of Love and Trust,” “Breath and a Scream,” “2,000 Mile Blues” and “Evil Little Goat”
· DVD of Pearl Jam’s previously unreleased 1992 MTV Unplugged performance including never before seen bonus performance of “Oceans” with 5.1 surround sound audio remix

3. Vinyl Collection (2-LP set):
· LP 1: original Ten tracklisting remastered for vinyl
· LP 2: original Ten tracklisting remastered for vinyl and remixed by Brendan O’Brien

4. Super Deluxe Edition (2-disc set plus DVD, 4 LPs and replica cassette in linen-covered, slip-cased clamshell box):
· Disc 1: original Ten tracklisting digitally remastered (original mix)
· Disc 2: original Ten tracklisting digitally remastered and remixed by Brendan O’Brien, plus six bonus tracks: “Brother,” “Just a Girl,” “State of Love and Trust,” “Breath and a Scream,” “2,000 Mile Blues” and “Evil Little Goat”
· DVD of Pearl Jam’s previously unreleased 1992 MTV Unplugged performance including never before seen bonus performance of “Oceans” with 5.1 surround sound audio remix
· LP 1: original Ten tracklisting remastered for vinyl
· LP 2: original Ten tracklisting remastered for vinyl and remixed by Brendan O’Brien
· LP 3 & 4: Drop in the Park – Live at Magnuson Park in Seattle on September 20, 1992 (audio mixed by Brendan O’Brien)
· Cassette: replica of original “Momma-Son” Pearl Jam demo cassette featuring “Alive,” “Once” and “Footsteps”
· Package also includes an Eddie Vedder-style composition notebook filled with replica personal notes, images and mementos from the collections of Eddie Vedder and Jeff Ament, a vellum envelope with replicated era-specific ephemera from Pearl Jam’s early work and a two-sided print commemorating the Drop in the Park concert.